
The first problem facing anybody writing about crime fiction is to stake out the limits of the theme.
Traces the evolution of crime fiction from Poe's earliest detective stories and Collins' mysterious thrillers.
1912 – 1994
Julian Symons's work has probably been as varied as that of any living writer. He made a reputation before the Second World War as editor of Twentieth Century Verse, a 'little' magazine which published most of the young poets outside the immediate Auden circle. After that he put his foot on what he calls the treadmill of murder by publishing a comic crime story, which he now regards as so bad that he won't allow it to be reprinted. Several crime stories later, he can look back on two, *The Colour of Murder* and *The Progress of Crime*, that have received awards as the best books of their year. He still keeps a toe in what he regards as the generally shallow waters of recent poetry, but also …
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