
From shame to shyness to shining-and, inevitably, back, and back again: the candor and cultural incisiveness of this itinerary seem to make Warhol an exemplary figure for a new project, an urgent one I think, of understanding how the dysphoric affect shame functions as a nexus of production: production, that is, of meaning, of personal presence, of politics, of performative and critical efficacy.
1961
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