
"Rider comin'." Thomas Shaye looked up at the sound of younger brother James's voice.
A Debt to the DeadFor Daniel Shaye and his boys, the law comes second, family first. So when a letter -- an urgent cry for help -- arrives from a woman who claims to be the mother of a child sired by Shaye's late son, Matthew, the former lawman and his clan saddle up and head out for Pearl River Junction.The desperate young woman may not be telling the whole truth -- lying instead about her boy's parentage to get the Shaye guns behind her as protection from a cold killer and his bloodthirsty gang. There's a whirlwind of death and destruction blowing in, and now Dan and his sons are directly in its path. But Shaye taught his sons well to stand up for justice -- and that even a town full of strangers is worth fighting for . . . and dying for.

1951
He's been called astonishingly prolific. He's been called "the last of the great pulp writers." Robert J. Randisi has fought to ensure that P.I. fiction gets some respect, not just through his many splendid contributions to the genre in the form of his fictional eyes creations of Miles Jacoby, Henry Po, Nick Delvecchio or a host of others, as entertaining as they may be, but through his tireless promotion of the genre through his numerous non-fiction articles, his co-founding, with Ed Gorman, of Mystery Scene magazine and most of all through his founding of The Private Eye Writers of America in 1981. Source: http://www.thrillingdetective.com/trivia/randisi_r.html
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