
"Greg Egan (1961- ) publishes works that challenge readers with rigorous, deeply-informed scientific speculation. He unapologetically delves into mathematics, physics, and other disciplines in his prose, putting him in the vanguard of the hard science fiction renaissance of the 1990s. A working physicist and engineer, Karen Burnham is uniquely positioned to provide an in-depth study of Egan's science-heavy oeuvre. Her survey of the author's career covers novels like Permutation City and Schild's Ladder and the Hugo Award-winning novella "Oceanic," analyzing how Egan used cutting-edge scientific theory to explore ethical questions and the nature of humanity. As Burnham shows, Egan's collected works constitute a bold artistic statement: that narratives of science are equal to those of poetry and drama, and that science holds a place in the human condition as exalted as religion or art. The volume includes a rare interview with the famously press-shy Egan covering his works, themes, intellectual interests, and thought processes"-- "Greg Egan is one of the "hardest" hard science fiction writers of the last two decades. Contemporary mathematics, physics, and computer science inspire his work, which extends from the near future to times millions of years hence and from distant galaxies to particle physics. Egan is perhaps best known for his novels in which some or all of the main characters are software constructs. In Permutation City (1992), Diaspora (1999) and Schild's Ladder (2002), Egan presses hard on questions of consciousness and self-identity by presuming that computers …
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