Old mistresses
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Open LibraryAbout this book
How was it possible, by the later twentieth century, to have erased women as artists from art history so comprehensively that the idea of ‘the artist’ was exclusively masculine? Why was this erasure more radical in the twentieth century than ever before? Why is everything that compromises greatness in art coded as ‘feminine’? Has the feminist critique of Art History history yet effected real change?
Themes & subjects
Women artistsFeminism and artHistoriographyHistory Of Art / Art & Design StylesWomen's studiesGeneral
First published 1981About the author
Rozsika Parker
27 December 1945 – 5 November 2010
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