White Jazz

About this book

The internationally acclaimed author of the L.A. Quartet and The Underworld USA Trilogy, James Ellroy, presents another literary noir masterpiece of historical paranoia. Los Angeles, 1958. Killings, beatings, bribes, shakedowns-it's standard procedure for Lieutenant Dave Klein, LAPD. He's a slumlord, a bagman, an enforcer-a power in his own small corner of hell. Then the Feds announce a full-out investigation into local police corruption, and everything goes haywire. Klein's been hung out as bait, ""a bad cop to draw the heat,"" and the heat's coming from all sides: from local politicians, from LAPD brass, from racketeers and drug kingpins-all of them hell-bent on keeping their own secrets hidden. For Klein, ""forty-two and going on dead,"" it's dues time. Klein tells his own story-his voice clipped, sharp, often as brutal as the events he's describing-taking us with him on a journey through a world shaped by monstrous ambition, avarice, and perversion. It's a world he created, but now he'll do anything to get out of it alive. Fierce, riveting, and honed to a razor edge, White Jazz is crime fiction at its most shattering.

Themes & subjects

About the author

James Ellroy

4 March 1948

Lee Earle "James" Ellroy is an American crime fiction writer and essayist. Ellroy has become known for a telegrammatic prose style in his most recent work, wherein he frequently omits connecting words and uses only short, staccato sentences, and in particular for the novels *The Black Dahlia* (1987), *The Big Nowhere* (1988), *L.A. Confidential* (1990), *White Jazz* (1992), *American Tabloid* (1995), *The Cold Six Thousand* (2001), and *Blood's a Rover* (2009). *-- Wikipedia*