Contigo Sí

Story of love between Marimar and Sergio. Sergio is from a wealthy family, and Marimar lives with her poor grandparents in a hut in front of the ocean.

Teresa Chavez is a young woman with an obsession for money and ambition. Despite her beauty and the fact that she was raised in the bosom of a loving family, she is resentful; her one desire is to leave her humble but poor neighbourhood.

Camila Monterde is a beautiful veterinarian whose life has been torn apart by a tragic accident in which her fiancé, Luis, was killed. Hoping to ease her depression, her uncle, Daniel Monterde, invites her to live at his ranch, where she can rest and recover while caring for the many animals he keeps there. Meanwhile, in Chile, Daniel Diaz suddenly receives a letter stating that he has come into a substantial inheritance and must travel to Mexico to claim it. Surprised and curious, he’s about to make the trip when a vicious lie disrupts his plans and lands him in prison, causing him to lose the inheritance and his family. Deeply bitter and hungry for revenge, Daniel travels to Mexico determined to destroy the Monterde family, which he blames for his terrible misfortune. He takes a job at the Monterde ranch to be close to his prey. His vengeance is perfectly planned except for one unexpected development: he and Camila fall passionately in love and that changes everything.

Mistreated by the Narváez family, the poor and innocent Maricruz is humiliated, abandoned, and imprisoned, losing everything. Upon discovering her true origins, she transforms into a wealthy and powerful woman. Driven by grief and the loss of her father, she vows revenge against everyone who made her suffer.

María Mercedes, a poor girl who sells lottery tickets, meets a rich man who hates his own family and sees in María Mercedes an opportunity to make their lives miserable.

Apuesta por un Amor is a Mexican telenovela produced by Angelli Nesma Medina for Televisa in 2004. Patricia Manterola and Juan Soler starred as the protagonists, while Alejandra Ávalos, Roberto Ballesteros and Fabián Robles starred as the antagonists.

Fernanda Linares (Livia Brito) is a woman thirsty for revenge after the murder of her husband on their wedding night, where in addition, Fernanda was a victim of rape after the event occurred. However, Fernanda's life will change when she meets Rafael Toscano (José Ron), a handsome young man who recently just received his university degree with whom she will empathize and return to Fernanda the opportunity to love again.

Emiliano, a wealthy Mexican businessman, is ripped off by his friends and partners. Hidden in Bogotá, he receives help from Rosario, a mariachi singer. She does not know Emiliano’s background and that he is wanted by the police of two countries and by a criminal organization. With a new name and personality, he adapts well to his new life as a mariachi band member and finds in Rosario the love of his life. But he is afraid his secret will tear them apart. He needs to clear his name and resolve his case to avoid that fate. Meanwhile, he often finds his love tested and vulnerable to several rivals, but Rosario always trusts that he has been honest with her.

A romance blossoms between a young country woman and the grandson of the late owner of a tequila company. The young man promises to return and marry his girlfriend once he finishes his studies abroad, unaware that she has become pregnant.

Victoria Balvanera owns a vast expanse of land and a prestigious advertising agency. She is married to the landowner Nelson Brizz. Following an attempted kidnapping, she finds love with José Ángel—her rescuer and the estate's new foreman.

Mujer de Madera is a Mexican telenovela produced by Televisa in 2004. One unusual feature of this telenovela is that the main character is played by different actresses before and after her stay in hospital due to a forest fire.

Karyme Lozano, Cristian de la Fuente and Adriana Louvier will star as the protagonists, while Diana Bracho, Flavio Medina and Salvador Zerboni will star as the antagonists, and with the stellar participations of Alejandra Barros, José Elías Moreno and Olivia Bucio.

The rivalries, romances, hopes and fears of the residents of the fictional Midwestern metropolis, Genoa City. The lives and loves of a wide variety of characters mingle through the generations, dominated by the Newman, Abbott, Baldwin and Winters families.

Esmeralda is a telenovela that was released by Televisa in 1997. It is a remake of a 1970 Venezuelan telenovela of that same name, and was itself remade in Brazil in 2004. Another version is Topacio from Venezuela in 1984. One of the most famous telenovela all the time.

Native American girl Maria Isabel makes friends with Graciela, a rich white girl, despite Graciela's father's opposition; their friendship lasts into their adulthood.

Lola... Érase Una Vez is a teen targeted Mexican melodrama telenovela produced by Televisa that is an adaptation of the Argentine global phenomenon and teenage telenovela Floricienta. The show tells the story of a modern Cinderella, Lola, a 20 year old girl, who works as a nanny and sings in a rock band and meets her so call Prince Charming. It debuted in Mexico on February 26, 2007, starring Aarón Díaz and Eiza González. The show had gained popularity among teens and children not only in Mexico but also internationally including Venezuela, Spain and the in United States. With concert performances filling major auditoriums and songs by the protagonist become radio hits. It debuted in the United States on Univision in March 2008 and ended on January 26, 2009. The series consisted of 224 episodes which aried Monday through Friday at 3 P.M, intentionally for teenagers to watch after school, as is typical for most teenage & children telenovelas in Spanish networks.

A brave, poor young girl is welcomed into a rich family and develops a romance with their misogynist youngest son, driving a woman already in love with him to go to great lengths to destroy their relationship.

When Marichuy was born, her mother—believing she was on the verge of death—handed her over to a priest, who took her to an orphanage. At the age of fourteen, Marichuy ran away from the institution and began wandering from place to place, scraping together a living however she could. Years later, she was attacked by a drunkard; the incident left her harboring resentment toward men and plagued by harrowing nightmares.