The Squirrels

Claude Casey moved up in the secretarial world of television news, from temp to the anchor's desk. After her boss hires her full time, Claude realizes she may be in over her head in this world of assistants fighting to get ahead. But Claude is determined to prove that though she may not be perfect, she's not going down without a fight.

The everyday lives of office employees in the Scranton, Pennsylvania branch of the fictional Dunder Mifflin Paper Company.

When a Cincinnati radio station switches from sedate music to top-40 rock 'n' roll, its staff of oddball characters is forced to switch gears quickly. New programming director Andy Travis brings in a new DJ named Venus Flytrap to work with the station's burned-out veteran, Dr. Johnny Fever. Neurotic newsman Les Nessman, eager beaver Bailey Quarters, sleazy salesman Herb Tarlek, blonde bombshell Jennifer Marlowe, who serves as the station's ultra-capable receptionist, and station manager Arthur Carlson, whose domineering mother owns WKRP, round out the eccentric bunch.

Nightmare boss. Tedious colleagues. Pointless tasks. Welcome to Wernham Hogg. Fancy a tea break with David Brent? Classic comedy from the archive.

The Brittas Empire is a British sitcom created and originally written by Andrew Norriss and Richard Fegen. Chris Barrie plays Gordon Brittas, the well-meaning but incompetent manager of Whitbury New Town Leisure Centre. The show ran for seven series and 53 episodes — including two Christmas specials — from 1991 to 1997 on BBC1. Norriss and Fegen wrote the first five series, after which they left the show. The Brittas Empire enjoyed a long and successful run throughout the 1990s, and gained itself large mainstream audiences. In 2004 the show came 47th on the BBC's Britain's Best Sitcom poll, and all series have been released on DVD. The creators Andrew Norriss and Richard Fegen often combine farce with either surreal or dramatic elements in episodes. For example in the first series, the leisure centre prepares for a royal visit, only for the doors to seal, the boiler room to flood and a visitor to become electrocuted. Unlike the traditional sitcom, deaths were quite common in The Brittas Empire.

A hilarious workplace comedy about a unique family of employees at a super-sized mega store. From the bright-eyed newbies and the seen-it-all veterans to the clueless summer hires and the in-it-for-life managers, together they hilariously tackle the day-to-day grind of rabid bargain hunters, riot-causing sales and nap-worthy training sessions.

Archie Bunker's Place is an American sitcom originally broadcast on the CBS network, conceived in 1979 as a spin-off and continuation of All in the Family. While not as popular as its predecessor, the show maintained a large enough audience to last for four seasons, until its cancellation in 1983. In its first season, the show performed so well that it knocked Mork & Mindy out of its new Sunday night time slot.

Lovebugs, Hormone Monsters and a parade of other creatures juggle romance, workplace drama and their human clients' needs in this "Big Mouth" spinoff.

Barney Miller is the kind of cop we'd all like to run into. Always sensible, he maintains order over a band of detectives who gamble, hit on anything in skirts, go to renaissance philosophy conventions for fun, and would really prefer to be writing. Nearly all of the action takes place in the squad room where citizens and criminals are brought in to complicate the mix.

A New Jersey mom puts her relationship with her daughter to the test when she lands an internship at the same TV station where her daughter works.

The comedic misadventures of Roy, Moss, and their grifting supervisor Jen, a 'motley crew' of IT support workers at a large corporation headed by a hotheaded yuppie.

Tim and Eric Awesome Show, Great Job! is an American sketch comedy television series, created by and starring Tim Heidecker and Eric Wareheim, which premiered February 11, 2007 on Cartoon Network's Adult Swim comedy block and ran until May 2010. The program features surrealistic and often satirical humor, public-access television–style musical acts, bizarre faux-commercials, and editing and special effects chosen to make the show appear camp. The program featured a wide range of actors, spanning from stars such as Will Ferrell, John C. Reilly, David Cross, Bob Odenkirk, Will Forte and Zach Galifianakis, to alternative comedians like Neil Hamburger, to television actors like Alan Thicke, celebrity look-alikes and impressionists. The creators of the show have described it as "the nightmare version of television."

The series chronicles the personal life (and the wild lifestyle) of Rebecca Wright, a tough-as-nails judge serving on the Los Angeles County Circuit Court, whose time off the bench is spent partying and displaying a reckless behavior. Her reputation is about to be tamed—and judged—by Robby Shoemaker, a eight-year-old boy whose parents Rebecca put behind bars. He might be the one that can turn Rebecca's life around.

Danny Thomas, an entertainer, tries to balance his home life with the needs of his career, with hilarious results.

Four women juggle love, careers, and parenthood. They support, challenge, and try not to judge each other as life throws them curveballs. Whether it is an identity crisis, a huge job opportunity, postpartum depression, or an unplanned pregnancy – they face both the good and bad with grace and humour.

A reformed party girl must prove herself as a businesswoman when she's unexpectedly put in charge of her family's pro basketball team.

PhoneShop is a British sitcom that was first broadcast on Channel 4 as a television pilot on 13 November 2009, as part of the channel's Comedy Showcase season of comedy pilots. It was then followed by a six-episode series that was commissioned on E4 and broadcasting began on 7 October 2010.

On the Buses is a British comedy series created by Ronald Wolfe and Ronald Chesney, broadcast in the United Kingdom from 1969 to 1973. The writers' previous successes with The Rag Trade and Meet the Wife were for the BBC, but the corporation rejected On the Buses, not seeing much comedy potential in a bus depot as a setting. The comedy partnership turned to a friend, Frank Muir, Head of Entertainment at London Weekend Television, who loved the idea; the show was accepted and despite a poor critical reception became a hit with viewers.